Surpllus is an independent publisher of printed matter pertaining to critical and speculative practices, including (but not limited to) artists’ books and zines, exhibition catalogues, and critical writing and theory.
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Surpllus

Surpllus
PO Box 418
Flinders Lane
Melbourne
Victoria 8009
Australia

© Surpllus Pty Ltd

Surpllus is an independent publisher of printed matter pertaining to critical and speculative practices across art, design, architecture, writing and curation. Projects include (but are not limited to) artists’ books and zines, exhibition catalogues, and critical writing and theory.
     Surpllus is conceived as a platform for dialogue and exchange, and as a channel for the initiation or dissemination of unconventional print projects. Surpllus is also intended as an inquiry into contemporary publishing strategies — projects therefore differ in respect of form, print run and mode of distribution.
     In-house printing and binding facilities permit the realisation of niche projects. Conversations with artists, designers, writers and curators are welcomed at any time
— contact: info[at]surpllus.com

 

Stockists

Boekie Woekie (Amsterdam)
Dark Horsey (AEAF) (Adelaide)
MCA Store (Sydney)
Monash University Museum of Art (Melbourne)
Motto (Berlin), (Weils), (Zürich)
National Gallery of Victoria (Melbourne)
Readings (Melbourne)
Section 7 Books (Paris)
World Food Books (Melbourne)
 

Distribution

Surpllus titles are distributed in Australia by Books at Manic.
 
Booksellers: please contact us directly with all other wholesale enquiries.

 

Surpllus Pty Ltd
PO Box 418
Flinders Lane
Melbourne
Victoria 8009
Australia

ACN: 141 137 064
ABN: 25 141 137 064

Editor:
Brad Haylock

#15: Impresario: Paul Taylor, The Melbourne Years, 1981–1984

#14: Making Worlds: Art and Science Fiction

#11: Six Degrees: 1992–2012

#10: Muttering for the Sake of Stars

 #9: Hostings: Ocular Lab, 2003–10

 #8: In camera: a closet drama for the gallery

 #7: Minimal Domination

 #6: Forms for a public address

 #5: Subtext: artists and writing

 #4: From Zero Form to Absolute Commodity

 #3: After action for another library

 #2: A quarter turn on every screw

 #1: Drawings and correspondence